"The under-appreciated Rockwell finally gets a leading role -- make that roles -- worthy of his considerable talent." -Peter Howell, Toronto Star
"Mr. Rockwell gives a brilliant performance, the physical production is impressive and Moon made me think. " - Joe Morgenstern, Wall Street Journal
"An intelligent, evocative and deceptively low-key sci-fi adventure." - Claudia Puig, USA Today
"Director Duncan Jones (son of David Bowie), working from a script by Nathan Parker, pulls off sci-fi miracles on a $5 million shoestring. Moon is a potent provocation that relies on ideas instead of computer tricks to stir up excitement." - Peter Travers
It is the near future. Astronaut Sam Bell is living on the far side of the moon, completing a three-year contract with Lunar Industries to mine Earth’s primary source of energy, Helium-3. It is a lonely job, made harder by a broken satellite that allows no live communications home. Taped messages are all Sam can send and receive.
Thankfully, his time on the moon is nearly over, and Sam will be reunited with his wife, Tess, and their three-year-old daughter, Eve, in only a few short weeks. Finally, he will leave the isolation of “Sarang,” the moon base that has been his home for so long, and he will finally have someone to talk to beyond “Gerty,” the base’s well-intentioned, but rather uncomplicated computer.
Suddenly, Sam’s health starts to deteriorate. Painful headaches, hallucinations and a lack of focus lead to an almost fatal accident on a routine drive on the moon in a lunar rover. While recuperating back at the base (with no memory of how he got there), Sam meets a younger, angrier version of himself, who claims to be there to fulfill the same three year contract Sam started all those years ago.
